Contemporary Dance Movement in Ruins Waterfall — Alejandra & Fernanda Munguía Hornedo in Motion
Cinematic movement study developed in natural environments, focused on direction, timing, and spatial control
Photography: Sebastian Beckmann
Dance Director: Alejandra Munguía Hornedo
Movement / Dancers: Alejandra & Fernanda Munguía Hornedo
Location: Michoacán, Mexico
This series explores movement as a directed element within natural environments — where timing, terrain, and light interact with the body in real time.
The work focuses on control within instability, positioning movement as a constructed visual language rather than spontaneous action.
Cinematic movement and dance photography in Mexico, developed in natural environments with a focus on direction, timing, and spatial composition.
Dance Director: Alejandra Munguía Hornedo
Movement / Dancers: Alejandra & Fernanda Munguía Hornedo
Location: Michoacán, Mexico
This series explores movement as a directed element within natural environments — where timing, terrain, and light interact with the body in real time.
The work focuses on control within instability, positioning movement as a constructed visual language rather than spontaneous action.
Cinematic movement and dance photography in Mexico, developed in natural environments with a focus on direction, timing, and spatial composition.
Developed across natural locations in Michoacán, Mexico, this series positions movement within a cinematic and environmental framework.
Working with available light, terrain, and temporal conditions, the images are constructed through direction and timing — where each gesture is placed in relation to space, rather than captured as performance alone.
The environment operates as an active element: water, vegetation, and architecture introduce variables that require adaptation, while maintaining visual control and compositional precision.
Influenced by production-based methodologies, the work translates movement into a structured visual system — balancing unpredictability with intentional direction.
Operating between Mexico and international projects, the series expands portraiture into motion, where the body becomes both subject and compositional axis.
Working with available light, terrain, and temporal conditions, the images are constructed through direction and timing — where each gesture is placed in relation to space, rather than captured as performance alone.
The environment operates as an active element: water, vegetation, and architecture introduce variables that require adaptation, while maintaining visual control and compositional precision.
Influenced by production-based methodologies, the work translates movement into a structured visual system — balancing unpredictability with intentional direction.
Operating between Mexico and international projects, the series expands portraiture into motion, where the body becomes both subject and compositional axis.